Symbiotic Fictions, in this context, are not
mere metaphors, but narrative and
epistemologically critical approaches that
imagine new forms of kinship and knowledge. They
operate at the intersection of biology,
literature, ethics, politics, and speculative
theory. Rather than asserting fixed identities,
these fictions are concerned with porosity,
processuality, and situated
interconnectedness—resonating with Donna
Haraway’s call to “make oddkin”, to establish
unexpected, non-genealogical forms of kinship.¹
Exxxxn.
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